Californian (schooner)

Californian was built in 1984 as a replica of the United States Revenue Marine cutter Lawrence, which operated off the coast of California in the 1850s.[Note 1] On July 23, 2003, Governor Arnold Schwarzenegger signed Bill No. 965 2016 chanel kleding, making her the „official state tall ship“ of California.
Originally commissioned by the Nautical Heritage Society, she has flown the flag of California up and down the coast and in ports ranging from Hawaii 2016 hermes birkin, Mexico, and the East Coast. She also represented the state at the 1984 Summer Olympics in Los Angeles. The model for her figurehead was actress Catherine Bach prada zonnebril 2016, who was chosen as she was descended from one of the state’s early families 2016 hermes birkin.
The Maritime Museum of San Diego acquired Californian from the Nautical Heritage Society in June 2002 through a grant from the Sheila Potiker Family Foundation of San Diego. The California Coastal Conservancy provided the Maritime Museum of San Diego with a US$300,000 grant to complete restoration of the Californian in February 2003. After the overhaul was completed in August 2003 Californian returned to providing sail training and sea educational programs up and down the California coast.

Imperia Tower

Der Imperia Tower (auch Empire Tower, Aqua City Palace, russisch Империя) in Moskau, Russland, ist ein 60-stöckiger Gebäudekomplex mit Büros, einem Geschäftszentrum, einem Hotel und privaten Wohnungen.
Der Entwurf des Hochhauses stammt von den Architekten NBBJ. Die Bauarbeiten begannen 2011, wurden 2003 wegen finanzieller Schwierigkeiten unterbrochen und 2006 fortgesetzt. Die feierliche Eröffnung erfolgte am 23. November 2011 unter Teilnahme des Ersten Stellvertretenden Bürgermeisters Moskaus Wladimir Iossifowitsch Ressin.
Der Gebäudekomplex steht an der Vorderfront des Internationalen Geschäftszentrums Moskau City, direkt am Ufer der Moskwa. Das Hochhaus hat einen Ausgang zum Wasser und Zugang zu Moskaus Hauptverkehrslinien. Alle Fenster bieten Panoramaaussichten auf die Moskwa 2015 Rabatt adidas Trikots online, den Kreml, das Stadtzentrum, die Sperlingsberge, die Lomonossow-Universität, Poklonnaja Gora und Parks im Westen Moskaus

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Die Gebäudeflächen ist dreigeteilt:
Zum Gebäudegrundstück gehören ein Teil des Moskwa-Ufers mit einer Anlegestelle, Cafés, Restaurants und Infrastruktur.
Die Appartements sind Privatwohnungen mit 45.000 m² 2016 fußball trikots online, in den Etagen 40 bis 60. Die oberen Etagen sind zweigeschossige Penthousewohnungen. Separate Eingänge und Fahrstühle trennen die Appartements von den Geschäftsflächen des Gebäudes.
Das Hotel befindet sich in den Etagen 33 bis 41. Es verfügt über 250 Zimmer funktional Bogner, Konferenzräume, Restaurants, einen Fitnessclub und ein Spa.
Die Geschäftsflächen belegen die drei Ebenen von Etage 2 bis 31.

Der Stricker

Der Stricker is the pseudonym of a 13th-century Middle High German itinerant poet whose real name has been lost to history. His name

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, which means „The Knitter,“ may indicate he was a commoner; he was likely from Franconia but later worked in Austria. His works evince a knowledge of German literature and practical theology, and include both adaptations and works with no known sources.
Der Stricker’s oeuvre includes the Arthurian romance Daniel von dem blühenden Tal and the epic Karl, a German adaptation of the Song of Roland, based directly on Konrad der Pfaffe’s earlier German version but updated for his time. However Ted Baker Dresses UK, he was chiefly a writer of didactic poetry and exempla or bispel, and was one of the early pioneers of the genre. These poems dealt not only with the religious and moral matters typical of the form, but also with the praise of women and courtly love. Many of them focus on episodes from everyday life and make heavy use of burlesque humor. The best known of these tales is Pfaffe Âmis (Priest Amis), which involves the English clerk Âmis in the trickster role

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. These works show an emphasis on theological concerns, and were popular with priests, who used them to animate their sermons Ted Baker Dresses outlet.
Der Stricker was well known to later poets, being mentioned and commended by Rudolf von Ems in his Alexander and his Willehalm von Orlens. Der Pleier wrote his Arthurian romance Garel as a reaction to Der Stricker’s Daniel, the protagonist of which Der Pleier found to be too brutal and cunning for a hero. Where Der Stricker’s hero exemplifies the warrior ethos of epic poetry, Der Pleier’s Garel is specifically written as an embodiment of the courtly ideal.

Emmenanthe penduliflora

Nom binominal
Emmenanthe penduliflora Benth., 1835
Emmenanthe penduliflora est une plante de la famille des Hydrophyllaceae, originaire du sud-ouest des États-Unis ou du nord du Mexique.

Cette plante herbacée mesure de 15 à 50 cm de hauteur. Les tiges sont couvertes de poils collants, glanduleux, émettant une odeur médicinale assez plaisante. Les feuilles, oblongues et pennatifides, mesurent entre 2,5 et 10 cm de longueur.
La floraison a lieu entre mars et juillet.
Les fleurs sont jaune pâle, en forme de clochette ; elles mesurent environ 1 euro de foot 2016 outlet,3 cm de longueur. Les clochettes s’achèvent par 5 lobes arrondis libres et l’androcée comprend 5 étamines.
Les corolles restent longtemps en place après qu’elles sont fanées et desséchées. Elles prennent alors un aspect papyracé et bruissent dans le vent sortie de chemise de football adidas, ce qui leur a valu le nom vernaculaire anglais de „whispering bells“ („cloches murmurantes“).
Le fruit est une capsule qui contient de nombreuses graines.
Emmenanthe penduliflora pousse dans les chenaux des ruisseaux temporaires et sur les collines couvertes de buissons des zones désertiques du sud-ouest des États-Unis et du nord du Mexique

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. On la trouve sur une aire de répartition restreinte, de la Californie à la Basse-Californie

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Sur les autres projets Wikimedia :

DataObjects.NET

DataObjects kurtki bogner.NET is a persistence and object-relational mapping framework for the Microsoft .NET Framework. It allows the developer to define the business logic (persistent objects) directly in one of the .NET languages like C#. The persistent objects can be retrieved by LINQ queries. Persistent data can be stored in SQL Servers or in even simpler DBMS which only provide simple indexing operations kurtki bogner. In contrast to many other ORM frameworks the database model is generated and maintained automatically.

Application development with DataObjects.NET follows the domain-driven design principle. The model (business logic) can be declared directly and completely in source code using attributes. Even the migration and update logic from older model versions is declared this way. Because the complete model is expressed in standard .NET source code DataObjects.NET integrates seamlessly in revision control and visual class design tools.
This code sample declares a persistent Person class with a Name field:
Unlike NHibernate DataObjects.net does not need a declared mapping to some kind of database. Instead it generates the needed tables and columns on the database itself. To do this it uses this metadata (the model) to create and modify the database schema on the underlying SQL Server or other DBMS. This reduces the development time and maintenance effort. It is also possible to use existing (legacy) data in a heterogeneous manner.
The persistent classes can be used like every other class to create and modify persistent objects with the new operator and by assigning same data to properties.
Due to the use of session scopes and transaction scopes these transactional modifications are ACID. Because these persistent classes do not use methods like session.Save(person) some other mechanism must come into play to store the data. DataObjects.NET uses aspect-oriented programming to inject the load/save mechanisms in the classes. The PostSharp framework is used to inject the policies for persistence kurtki bogner.
The persistence layer is completely transparent and does performance acceleration like lazy loading and caching behind the scenes.
Unlike POCO the DataObjects.NET Entities are queryable in a relational manner. This can be done with a low level API – the so-called ‘Record Set Engine Queries’. And it can be done high level with LINQ which is completely supported. Query compilation and optimization can be cached, so that multiple execution of the same query will not need to compile the LINQ lambda expressions again.
A simple LINQ query:
DataObjects.net is designed to work with arbitrary data stores, not only SQL servers. But currently only Microsoft SQL Server, PostgreSQL and an in memory database is available. An embedded database is planned so that DataObjects kurtki bogner.NET can be used without any third party database.
DataObjects.NET has a high level of abstraction and is designed to support operations on huge data. Nevertheless, it is designed for performance and has a vast amount of optimizations. It beats other complex ORM Frameworks like NHibernate and ADO.NET Entity Framework in CRUD and Query operations .

Antonio Giovanni Lanzirotti

modifier – modifier le code – modifier Wikidata
Antonio Giovanni Lanzirotti né à Palerme le 9 mai 1839, et mort le 28 février 1911, est un sculpteur italien qui a travaillé en France et en Italie. Il a combattu pour l’indépendance de la Sicile, puis de l’Italie. Et a été auprès d’Auguste Clésinger le directeur des ateliers de la photosculpture de la Société générale de photosculpture de France,.

Antonio Giovanni Lanzirotti est né à Palerme, où il termine ses études. Il va ensuite à Paris, où il est l’élève de Joseph Michel Ange Pollet. Partisan farouche de l’indépendance de la Sicile maillots de football, il va se mettre sous les ordres du général Ignace Ribotti dans les premiers grenadiers du Piémont.
Sa première œuvre sculptée est l’Éducation de Bacchus, exposée à l’exposition universelle de 1855 à Paris.
En 1858-1859, il présente au Préfet de la Seine l’esquisse d’un projet de « Groupe allégorique en l’honneur de S. M. l’Empereur Napoléon III, et qui pourrait être placé entre les jardins de la cour du nouveau Louvre (Place Napoléon ) ».
En 1863, il est appelé à Turin, où le roi Vittorio Emanuele II lui commande les statues du Conte Verde et du duc Vittorio Amedeo I. Il envoie à Paris les statues de La Pensierosa (La Penseuse) et La Schiava greca (L’Esclave grecque). La première décore aujourd’hui une niche du rez-de-chaussée de l’aile nord de la Cour carrée du musée du Louvre. Et la seconde fait partie des collections du musée des Beaux-Arts Jules Chéret, à Nice.
En 1860, Lanzirotti rejoint le mouvement de Giuseppe Garibaldi, et est fait prisonnier au Cap Corse. Il est emprisonné pendant deux mois à Gaete, puis revient à Paris. Là, il sculpte : Amore punito (Amour puni) ; La Danza (La Danse) ; le mausolée du comte Tyzhieviez karen millen france 2016, et un baigneur qu’il expose au Salon. Il sculpte aussi Il Piacere (Le Plaisir) et La Follia (La Folie).
Il crée également de nombreux bustes et portraits maillots de foot 2016, dont ceux de Cassagnac, d’Émile de Girardin maillots de foot en ligne 2016, du docteur Armand Trousseau, de Beaumarchais, du roi Umberto Ie d’Italie.
Il est en 1867 le directeur des ateliers de photosculpture de la Société générale de photosculpture de France, auprès d’Auguste Clésinger,.
En juillet 1867, une polémique l’oppose à Alexandre Dumas fils qui avait dénigré la photosculpture.
Lanzirotti meurt le 28 février 1911.

Where I’m From (film)

Where I’m From (Original French title: D’où je viens) is a 2014 National Film Board of Canada documentary by Claude Demers (fr), exploring his childhood in the working class city of Verdun, Quebec and contrasting his experiences with life today in Verdun, now a multi-cultural borough of Montreal.
Where I’m From focuses on two neighbourhood boys who serve as stand-ins for Demers as a child, as well as a variety of local characters. The film explores the changing face of Verdun as well as the filmmaker’s anger and unhappiness as a child, due in part to his being adopted. The film also explores the powerful role that the Saint Lawrence River, which borders Verdun, has played in his own imaginative life growing up, as well as the lives of the children in his film.
Demers has stated that it also represented a creative risk to make a documentary film not based on interviews, as he had previously done, but rather a personal film that attempts to see life through the eyes of child.
Demers, who now lives in Mile End The Kooples Outlet, Montreal, rented an apartment in his old neighbourhood for three months to regain a feel for the neighbourhood as he planned his shoot. During that process, five key themes emerged that became central to the film, according to the director: „Childhood. The relationship with nature. Faith. The words. And struggle. That was my guideline Nike jerseys online store.“

The film completed a trilogy of documentary works by Demers—previously a fiction filmmaker— that he was inspired to make after finally meeting his biological mother. She has told him that his biological father was Italian ted baker australia outlet, which inspired a film about traditional Montreal barbers, many of whom were from Italy, entitled Barbiers – Une histoire d’hommes. Demers‘ follow up film, Les dames en bleu, was about Quebec singer Michel Louvain and his legion of mostly female fans from his mother’s generation.
The film had its world premiere at International Film Festival Rotterdam

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, followed by the Canadian documentary film festivals RIDM and Hot Docs. It had its theatrical premiere at Excentris in Montreal and Cinema Le Clap in Quebec City on December 26, 2014.

Art & Project

Art & Project était une galerie basée à Amsterdam. Fondée en 1968, elle déménagea près de Slootdorp durant les années 1990 et ferma définitivement en 2001. Jusqu’en 1989, elle édita un célèbre bulletin consacré à l’art contemporain.

La galerie Art & Project fut fondée en septembre 1968 par Geert van Beijeren (1933-2005) et Adriaan van Ravesteijn (1938). Pendant plus de trente ans, elle proposa un espace d’expression au monde de l’art contemporain et plus particulièrement à sa branche conceptuelle et minimaliste. Dans les années 1990 la galerie déménagea dans le village de Nieuwesluis, près de Slootdorp, avant de fermer en décembre 2001 ted baker robes 2016. Parmi les artistes exposés dans la galerie (et ayant participé au bulletin) on retrouve : Douglas Huebler, Lawrence Weiner, Sol LeWitt, Robert Barry, Carl André, Joseph Kosuth, Richard Long, Stanley Brouwn, Gilbert & George, Alighiero Boetti, Francesco Clemente, Allen Ruppersberg, Marcel Broodthaers, John Baldessari, Hamish Fulton, Jan Dibbets, Ian Wilson, Bas Jan Ader ou encore le français Daniel Buren.
De 1968 à 1989, la galerie Art & Project édita un bulletin éponyme dans lequel elle proposait à de nombreux artistes de s’exprimer au travers d’une simple feuille de papier. Les premiers numéros faisaient office de carton d’invitation d’expositions à venir mais, rapidement, les artistes ont su se l’approprier pour en faire des objets d’art à part entière. La majorité des bulletins accueillait simplement du texte et des dessins mais le support servit aussi pour des reproductions photographiques (noir et blanc et couleur), des partitions musicales ou même des pliages.
Entre septembre 1968 et novembre 1989, Geert van Beijeren et Adriaan van Ravesteijn ont publié 156 numéros du bulletin Art & Project. Ces bulletins étaient imprimés, recto-verso, en noir sur un papier blanc standard (à l’exception de certains). Les feuilles, de format A3 (29.7 x 42 cm), étaient pliées en deux pour former un feuillet de quatre pages format A4. La première page suivait toujours la même présentation : „art & project“ en haut à gauche et en dessous, à droite, „bulletin“ suivi du numéro. Chaque bulletin était tiré à environ 800 exemplaires par un imprimeur basé à La Haye, Drukkerij Delta (Imprimerie Delta).
Plusieurs éditions, à la demande des artistes, ont échappé au format initial. Les dimensions, le nombre de feuilles ainsi que le support lui-même pouvaient changer. Voici quelques exemples :
Les bulletins Art & Project étaient publiés à un rythme mensuel très irrégulier (17 en 1972, 8 seulement l’année suivante). Le nombre annuel de bulletins diminua au fil du temps, s’arrêtant pendant plus d’un an en juin 1983, avant de reprendre de manière très épisodique à partir de la fin de l’année 1984.
Les feuillets étaient postés gratuitement maillots de foot vente, depuis Amsterdam, à plus de 400 personnes (dont des artistes, galeristes, curateurs, etc.)

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. Les copies restantes étaient laissées à la disposition des visiteurs au sein de la galerie.
Quelques bulletins ont cependant été expédiés (et parfois même imprimés) ailleurs :
Les bulletins Art & Project sont, à la fois, des œuvres d’art et des documents privilégiés d’une période de l’art contemporain. À l’origine expédiés gratuitement, ils ont, depuis — pour les numéros les plus anciens et ceux produits par les artistes les plus renommés —, intégré le marché de l’art. L’intégralité des bulletins a été rééditée par Adriaan van Ravesteijn lui-même, avec le concours de l’imprimeur original, et est cédée pour environ 5 500 €.
Les bulletins « Art & Project » ont également fait l’objet de plusieurs rétrospectives, notamment au MAMCO de Genève en 2003-2004 ou encore à New York en 2007-2008.
Durant les 30 années d’activité de la galerie, ses deux créateurs ont accumulé une somme importante de documents (catalogue, documentation visuelle, ébauches et travaux originaux). Les archives Art & Project ont progressivement été transférées dans les fonds du RKD (l’Institut d’Histoire de l’Art Néerlandais) et y occupent 92 mètres d’étagères qui seront accessibles pour consultation à partir du 1er janvier 2014.

We Run the Night

April 29, 2011 (early release) September 27, 2011 (normal release)
„We Run the Night“ is a song by Australian DJ and recording artist Havana Brown, written and produced by Cassie Davis and Snob Scrilla of production duo More Mega. It was released for digital download on by Island Records (Universal Music Australia) as Brown’s debut single. The song was included on the EP When The Lights Go Out as well as Brown’s debut studio album Flashing Lights.
„We Run the Night“ received a mixed to positive reception from critics. The song peaked at number five on the ARIA Singles Chart and certified triple platinum by the Australian Recording Industry Association (ARIA). The RedOne remix of the song, featuring American rapper Pitbull, peaked at number 26 on the US Billboard Hot 100 and number one on the US Hot Dance Club Songs chart. „We Run the Night“ was certified platinum by the Recording Industry Association of America (RIAA), denoting sales of 1,000,000 copies. The remix also appeared on singles charts in Canada, Czech Republic, Norway, and Slovakia.
The accompanying music video for „We Run the Night“ was directed by Benn Jae and Tony Prescott, and premiered on Vevo on June 1, 2011. The music video for the RedOne remix premiered on Vevo on 7 March 2012.

In 2008, Havana Brown signed a recording deal with Universal Music Australia, and began releasing her Crave compilation series through the label. Throughout 2008 and 2009, Brown toured as a supporting act with Rihanna, The Pussycat Dolls, Lady Gaga and Britney Spears during the Australian legs of their tours. By the end of 2009, Brown commenced working on Australian radio, providing mixes for the Party People programme every Saturday night on the Today Network. In 2010, Brown continued to tour and began the process of recording material for her debut album. Discussing the process of creating „We Run the Night“, Brown said that she wanted a pop record with a Dutch breakdown after each chorus. Brown spoke of trying to find a producer to make the record, and eventually working with production duo More Mega, saying: „I wanted a certain kind of sound and I could hear it in my head. Some people were telling me it was too „pop“ or that it was too „club“. Fortunately, I was able to work with a duo here who totally got both worlds.“
„“I wanted to combine the club and commercial worlds in one song […] I wanted to make something that I could play in my DJ sets and on my radio show… RedOne was perfect. We were trying to mix two types of music together.“
After the initial success of the More Mega production, Moroccan-Swedish producer RedOne reached out to Brown via Twitter asking if he could contact her. Having heard „We Run the Night“ through Enrique Iglesias, with whom Brown had performed „Heartbeat“ (replacing Nicole Scherzinger, the original featured artist) on The X Factor, RedOne expressed his interest in making his own version of the track. RedOne played his remix of „We Run the Night“ to American rapper Pitbull, who liked the song and recorded a rapped verse for it. In an interview with the Huffington Post, Brown commented on her collaboration with Pitbull, „He is one of my favorite people. He’s generous and loyal. He is a great person to be around and always a lot of fun. I love how hard he works! He really loves what he does. I was playing his music for about 8 yrs before it was commercially successful. So I’m a long time fan. He’s just an all around awesome guy.“
„We Run the Night“ was written and produced by Cassie Davis and Snob Scrilla of production duo More Mega. The recording is an up-tempo dance-pop and Eurodance song that is set in common time. It is written in the key of C major and moves at a moderate 127 beats per minute.
Nic Maher of Luna magazine called the song „quite catchy“ and wrote, „autotune saves this femme fatale from what would otherwise be a disastrous release.“ Layla Clarke of The AU Review wrote, „We Run the Night is as epic as it is euphoric, with an insanely infectious breakdown that’s guaranteed to throw the crowd into overdrive.“ After listening to the song, a writer for Beat magazine felt Brown should stick to being a DJ because „a singer she is not!“. Amanda Hooton from the Sydney Morning Herald praised Brown and the song, commenting, „Brown can hold a tune, she looks amazing in music clips and, most of all

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, she knows what gets a crowd moving. „We Run The Night“ was one of those songs you hear for the first time and think you know: the lean-in beat, the hands-up chorus, the „Dutch break“ locking down like a sports car changing gears.“
In an interview with Brown, Reyne Haines, media personality for the Huffington Post, commented „I loved the song „We Run the Night“ the very first time I heard it on the radio. It’s now reached over 31 million views on YouTube and landed in the #1 spot on the Billboard charts. It had to be such a rush to work with a mega star [Pitbull]“.
„We Run the Night“ debuted at number seven on the ARIA Singles Chart on January 19, 2012 serving as the highest debuting single of that week. It also became the first single from an Australian artist to debut within the top-ten in 2011. The following week, the song fell down three spots to number ten. In its fifth week on the chart, „We Run the Night“ moved from number seven to number five, where it peaked. It was certified triple platinum by the Australian Recording Industry Association (ARIA), for selling 210,000 digital copies. In New Zealand, „We Run the Night“ debuted at number thirty on the NZ Top 40, on 12 March 2014. One week later, the recording made a big leap reaching its peak at number five, where it stayed for three non-consecutive weeks. It was certified platinum by Recorded Music NZ (RMNZ) for sales of 15,000 copies of the single.
The RedOne remix peaked at number one on the US Billboard Hot Dance Songs chart. Brown became the first Australian recording artist to reach that spot since Kylie Minogue topped the chart with her song „Put Your Hands Up (If You Feel Love)“. On the week of 7 April 2012, „We Run the Night“ made its debut on the Billboard Hot 100 at number 99 and peaked at number 26. On the Mainstream Top 40 charts, „We Run the Night“ completed the longest climb to the chart’s upper half in fourteen years and the third-longest overall, after Edwin McCain’s song „I’ll Be“ which took 22 weeks in 1998, and the Melissa Etheridge track „Come to My Window“ taking 20 weeks in 1994 bogner ski jackets. It also peaked at number 48 in Canada. As of September 2012, the song has sold 1,000,000 digital copies in the US.
Robert Copsey from Digital Spy marveled at the single’s worldwide commercial success, „The track – which has had over 18 million hits on YouTube – has already entered the charts all over the world, peaking at number five in Australia and number 26 on the Billboard Hot 100.“
The music video for the RedOne remix is set at a dance club party and revolves around shots of Havana Brown singing, dancing, and posing. In some shots, she sits on a red throne while half-naked bodies dance around her, as if to worship her. Some frames show close-ups of Brown in a tight gold dress as she flirts with featured artist Pitbull, during which she sings the opening verse: “When the sun goes down, down, down, down / Boy are you afraid of the dark, dark? / And when the lights go out, out, out, out / Tell me, do you know where to start, start? / And when the bass gets loud, loud The Kooples Clothing Outlet, loud / That is when I feel a part / And when the world sleeps sound, sound, sound / The sound is the key to my heart toms shoes uk 2016.” Pitbull is well-dressed in a suit with a red coat and he flirts with Havana Brown. Brown then enters the DJ booth and begins to play music for a dance party, and at the end of the video she uses a hammer to smash the booth as if to truly „run the night.“
Scott Shetler from 105.7 FM („PopCrush 105.7“) commented that in the video, „the pair [Havana Brown and Pitbull] back up their claim [to run the night] by owning the dance club in the song’s music video.“ He also noted, „When the always well-dressed Pitbull enters the picture for his verse, Mr. 305 gets up close and personal with Brown and teases, “Let me tickle it, baby.” Brown enters the DJ booth to crank up the party even more, reminding viewers that she’s more than just a pretty face.“ Shetler concludes, „All the smiling faces and hands in the air make us wish we were at this party!“
On 18 July 2012, Brown appeared as a musical guest on America’s Got Talent and performed „We Run the Night.“ She also performed the track, with „Big Banana,“ on American television show Oh Sit! in April 2013. In Australia, the track was performed on the third series of the Australian version of The X Factor as a medley with „Get It“ on 1 November 2011.
In August 2012, Brown became a supporting act, alongside Timomatic and Taio Cruz, for Pitbull’s Australian leg of his Planet Pit World Tour where she also performed the song. Brown represented Australia at the first ABU TV Song Festival 2012, which took place at the KBS Concert Hall in Seoul, South Korea on 14 October 2012 and performed „We Run the Night“ to millions of viewers.
*sales figures based on certification alone ^shipments figures based on certification alone xunspecified figures based on certification alone

Cheng Chih-lung (basketball)

Cheng Chih-Lung (born August 29, 1969) is a Taiwanese basketball coach and retired basketball player, as well as a former politician as a member of the Legislative Yuan of the Republic of China.
Cheng played small forward for the Chinese Taipei national basketball team and started as shooting guard for his professional clubs in Taiwan’s Chinese Basketball Alliance and mainland China’s Chinese Basketball Association mostly in the last decade of the 20th century. During his prime

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, he was widely recognized as one of the best offensive players in Asia. He was also the first Taiwanese player to play in the Chinese Basketball Association. After a brief but controversy-packed political career following his retirement as a player in 2001, Cheng has returned to basketball to coach in Taiwan’s Super Basketball League since 2007. (He also coached in China’s National Basketball League in 2012 karen millen christmas.)

As a member of the Chinese Taipei youth team, teen-aged Cheng Chih-Lung was two-time scoring champion in the FIBA’s Under-18 Asian Championship. At the age of 19, he became the then-youngest player on the Chinese Taipei adult team and helped his team to a third-place finish in FIBA Asia Championship 1989—Taiwan’s best record in the tournament since its resumption of international sports participation in the mid-1980s. From then through 1999, Cheng played for the national team in various international tournaments and helped set the team’s best records in all major tournaments in the region including winning Taiwan’s first gold medal in men’s basketball in the 1997 East Asian Games. As the representative star player of Taiwan, Cheng was selected to All-Tournament Team for the William Jones Cup international tournament for numerous times and to the FIBA Asian All-Star roster in 1998.
Initially nicknamed „Doctor“ after Dr. J by his American coach, John Nealon, due to his jumping ability, Cheng Chih-Lung subsequently derived another nickname, „the Loach-Dragon“ (泥鰍龍), from his shrewd playing style. A stable mid- and long range shooter, Cheng was also acclaimed for his smart offensive running, crafty moves, and great body coordination in the air that enabled him to „bore“ through the defense like a slippery dojo loach and score from various angles and distances. As a Hung Kuo Elephant, he became the then-highest-paid basketball player in Taiwan and was the cornerstone of the „Hung Kuo dynasty“ from 1996 through 1998 when the team won three consecutive championships of Taiwan’s professional Chinese Basketball Alliance (中華職業籃球聯盟). He was named the most valuable player (MVP) for the 1995-1996 season and for the 1998 championship series where he almost single-handedly brought his team to its third title out of an 1-3 plight in the best-of-seven series against the powerful challenger, the Kaohsiung Mars.
After the Taiwanese professional league, as well as his home club, the Hung Kuo Elephants, came to disbandment due to financial difficulties in 1999, Cheng moved to play for the Shanghai Sharks of the Chinese Basketball Association in mainland China. Teamed up with the then-adolescent Yao Ming

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, Cheng helped the young Sharks advance to the finals for the first time in franchise history before they were defeated by the nearly invincible Bayi Rockets. First Taiwanese player to join the top-tier Chinese league, Cheng was selected to play in the postseason all-star game and received the league’s sporting ethics award. After one rather successful season in China, Cheng returned to Taiwan to play for Dacin Tigers in the amateur Division-A conference (甲組聯賽) where he ended his playing career in the following year (2001).
Under the arrangement of his sponsor Wang Jen-ta (王人達)

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, the then-president of the executive board of the Republic of China Basketball Association (中華民國籃球協會) and a political ally of James Soong, Cheng Chih-Lung ran for and won the 2001 legislative election as the People First Party (PFP) nominee in the first district of Taipei County. His political career, however, was overshadowed by the scandal of extramarital affair with legislative colleague, Kao Chin Su-mei, and public censures for inaction. He divorced his wife in 2002 and did not seek another office at the termination of his only term as legislator.
In the capacity of legislator, nevertheless, Cheng Chih-Lung was given the credit of working with the government’s Sports Affairs Council to give birth to the Super Basketball League, which started to function in 2003. In the fifth season of the league’s existence, Cheng Chih-Lung accepted the commission to coach Taiwan Mobile Clouded Leopards and brought the losing team to an improved 15-15 record in the 2009-2010 season.